born 1972, Adelaide, South Australia
lives and works in Sydney, New South Wales, Australia
selected publIcatIons
2020 Art Edit September Show Case
2020 Real Living
2019 Art Edit March Feature Ones to Watch
2018 House & Garden Magazine May Front Cover & Contents
2017 House & Garden Magazine September p36
awards
2018 NSW Parliament en Plein Air Art Prize Finalist
2018 Bowral District Art Society Art Prize Finalist
collectIons
Private collections in the UK, Belgium, Sweden, Germany, India, South Australia, Victoria, New South Wales, Tasmania, Brisbane.
publIc works
2020 Wylie’s Landscapes The Nest Creative Studios
2019 Road Trips The Nest Creative Studios
exhibitions
2020. Small Works Christmas Show_ Project Gallery 90
2020. The Viewer is Prsesent _ Mounted ARI
2019. Coming Home _ Art Money & The Other Art Fair Melbourne
2019. Coming Home again _ Barangaroo The Other Art Fair Sydney
2019. Group Christmas Show_Project Gallery 90
2019. Grounded_Wellington Street Projects,
2018. Women in the Land/ Movers & Shapers_Hazelhurst Gallery
2018. Life Blood_Grace Cossington-Smith Gallery
2018. Sunburnt Country _ Saint Cloche Gallery
2017. Never Fenced Country_ Saint Cloche Gallery SOLO
2002. Arterial Gallery Group Show_ South Australia
1997. Helpman Academy Group Show_ South Australia
educatIon
2020 Master of Art, University of New South Wales
1999. Bachelor of Visual Communication, University of South Australia
overview of collaborative exhibition Sunburnt Country:
Collaborating for a second time with ceramic artist Agatha Pupaher and curator Kitty Clarke at Saint Cloche, Sunburnt Country is a phrase from the poem My Country, written in 1908 by a youthful Dorothea Mackellar. She wrote a love song to her home in rural New South Wales while she was away with her father in England. Agatha and I both related to the poem, sharing stories of time in rural/ outback Australia, away from home, making a home where we found ourselves. We shared of missing those open, rural places now as we are living in the racy, urban spaces of New South Wales.
This exhibition combined the form and colour from the paintings with earth collected from the Broken Hill environs, to create a variety of drinking vessels, platters, vases and objects’ d’art, for a visual, tactile showing of these reflections on the landscape west of Sydney.
